The New School Archives And Special Collections

Materials intended for display in an exhibition celebrating Edith Wise Sommerich and Otto Sommerich. Edith was a longtime New School student, founding member and chair of the New School Associates, and, with Otto, a major donor to the school. The records consist of biographical documentation, correspondence related to Associates events, and a letter from President Emeritus Alvin Johnson.

Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear firm, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The collection contains photographs, sketches, clippings, advertisements, press kits, correspondence, and notes for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design, 1969-1970.

Mostly consists of Kurzweil's research files from her writing and other projects. To a lesser extent, also includes some faculty material, especially from Rutgers University, files relating to Kurzweil's husband and longtime Partisan Review editor, William Phillips, biographical material, correspondence, and Kurzweil's Presidential National Humanities Medal.

Edward Aldwell (1938-2006) was an American pianist, music theorist, teacher, and recitalist. The Edward Aldwell papers consist of Aldwell’s course notes and files. Included in the collection are curricula, Schenkerian analyses, notes on a textbook he co-authored, and records pertaining to administrative matters at the Curtis Institute of Music and the Mannes School of Music.

Edward Wormley (1907-1995) is often cited as a top designer of American modernist furniture. Starting at the Dunbar Furniture Company at age 23, Wormley eventually became its sole designer and retained a partnership with Dunbar for over thirty years. Wormley taught at Parsons School of Design between 1952 and 1970. The collection includes photographs, slides, subject files, clippings, technical drawings, catalogs, and sketches.

Consists of two drawings of period rooms rendered in pen and ink and watercolor.

After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1936, Eleanor Horst (1892-1995) led a long career as an interior decorator. The collection includes photographs and slides of Horst projects, as well as numerous renderings of Horst designs, several by fellow Parsons graduate Lyman Martin.

Eleanor S. (McMillen) Brown (1890-1991) was a graduate of the New York School of Fine and Applied Art (later Parsons School of Design), who founded the interior design firm McMillen Inc. This collection consists of biographical materials, photographs, press clippings, and correspondence donated by her grandson, Michael McMillen.

Elizabeth Aaron taught ear-training in the Techniques of Music department of Mannes College of Music (later, Mannes School of Music at The New School) from 1957 to 2017. The collection consists of administrative files relating to Aaron’s committee roles, Mannes board of trustee minutes, notebooks, recordings, photographs, and materials pertaining to the attempted merger of Mannes and Manhattan School of Music in 1978.

This collection of 24 drawings and paintings consists of women’s and men’s fashion illustrations created by Elizabeth Cornell, probably in the late 1920s and early 1930s. The illustrations mostly depict women’s and men’s wear, accessories, and fabric patterns.